My piece in the latest @tsptr journal is out now, via tsptr.com:
“It never got fast enough for me”
Hunter S Thompson.
Piece explores the Gonz’s darkly charismatic ideology and his obsession with motorcycles, drugs and guns.
My piece in the latest @tsptr journal is out now, via tsptr.com:
“It never got fast enough for me”
Hunter S Thompson.
Piece explores the Gonz’s darkly charismatic ideology and his obsession with motorcycles, drugs and guns.
Douglas was ‘Minister of Culture’ at The Black Panther Party for the duration of its active years – 1966 to 1982.
The distinctive visual look of the Black Panther Party was as a result of the creative direction of Douglas – and that’s a BIG achievement because their visual game was STRONG.
NOTHING looked or sounded like The Black Panther Party – nor has it since.
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SEIZE THE TIME.
REVOLUTION IN OUR LIFETIME.
As featured in The Modernist Magazine.
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Photos taken whilst visiting the the pop-up exhibition: Beyond the Streets by Roger Gastman, NYC 2019.
Emory Douglas portrait by Bryan Shih.
I’m writing for the @tsptr seasonal journal – a clothing brand exploring American counterculture, politics and subcultural themes.
Fall / Winter’s piece is about LA’s Eames House and Ennis house.
There’ll be the exciting pop of old advertising: massive bill boards featuring consumer goods and services, high alters to both commerce and products-as-democracy: “A coke is a coke and no amount of money can get you a better coke.”
Monopod is publishing about automotive photography, art and culture. For its February 2020 issue, I wrote a piece […]